INOUE Tokiko


Position

Vice President,Professor

Affiliation

Faculty of Core Research Humanities Division

Library

Faculty

Performing Arts

Education Organization (Master's Program)

Music

Education Organization (Doctoral Program)

Arts and Representational Studies

写真a

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Research Keywords 【 display / non-display 】

  • Musicology, Cultural History of Music, Sociology of Music, Empirical Musicology, Performing Arts, Gender and Music Studies

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Research Pursuits 【 display / non-display 】

  • I specialize in musicology—particularly music cultural history, sociology of music, empirical musicology, and music and gender—and am engaged in both research and teaching.
    1)I conduct historical research on the formation of modern and contemporary musical culture within its social contexts, while also building international and long-term datasets and undertaking cross-cultural empirical studies. My publications include“Western Classical Music in a Non-Western Culture: The Repertoires of Japanese Professional Orchestras in the Twentieth Century," Poetics 67 (2018): 13–25.
    2) My research explores how ordinary people—those who have not left their names in historical records—have engaged with music and, through actively “doing music," have contributed to its reception, dissemination, and re-creation. I have conducted socio-historical and sociological studies on the choral movement of nineteenth-century German citizens and on amateur orchestral activities in Meiji and Taishō Japan.
    3) I investigate the transformation of vocal culture in Japan from the Meiji to the Taishō period and its relationship to embodiment, from the perspectives of both musicology and artistic practice.
    4) I am also interested in the question of musical listening. I am a co-translator of Music as Thought: Listening to the Symphony in the Age of Beethoven by Mark Evan Bonds.This book examines how both nineteenth-century Romantic philosophy and the socio-political context of German nation-state formation shaped the listening practices of the modern Western symphony.

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Future Research Plans, Research Prospects, and Joint Research Potential 【 display / non-display 】

  • I am currently engaged in empirical research that focuses on how cultural activities--particularly musical practices--reflect and evolve in response to changing social conditions and regional characteristics. For example, I aim to examine the relationship between shifts in the demand and supply of musical repertoires before and after the COVID-19 pandemic and changes in people's attitudes toward music reception. I am also interested in clarifying how the spread of diversity in classical music within the broader DE&I movement--and the backlash that may be seen as a reaction to it--have influenced musical activities.
    More broadly, I am interested in developing a new interdisciplinary field that seeks to visualize the role of music in society based on data and to interpret it through the lens of the humanities.

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Academic 【 display / non-display 】

  • お茶の水女子大学大学院, 人文科学研究科, 音楽学専攻, 大学院（修士課程）, 修了, Japan

  • お茶の水女子大学大学院, 人間文化研究科, 比較文化学専攻（音楽学）, 大学院（博士課程）, 修了, Japan

  • Ochanomizu University, University, 卒業, Japan

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Degree 【 display / non-display 】

  • 学士, お茶の水女子大学

  • 修士（人文科学）, お茶の水女子大学大学院

  • Ph.D. in Musicology

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Campus Career 【 display / non-display 】

  • Ochanomizu University, Research Associate, 2003.04 - 2005.03

  • Graduate School of Humanities and Sciences, Research Organization, the Core Section, Assistant Professor, 2014.04 - 2015.03

  • Faculty of Core Research Humanities Division, Assistant Professor, 2015.04 - 2018.03

  • Faculty of Core Research Humanities Division, Associate Professor, 2018.04 - 2024.03

  • Faculty of Core Research Humanities Division, Professor, 2024.04 - 2025.03

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Research Field 【 display / non-display 】

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Books 【 display / non-display 】

  • 『オペラ/音楽劇研究の最前線』

    （担当：分担執筆、担当範囲：「北村季晴の音楽劇と実験的試みーお伽歌劇《ドンブラコ》にみる「歌と動作」の結びつきー」、第Ⅲ部　オペラ／音楽劇における教育と人材育成）, 水声社, 2026.01, 井上登喜子（分担執筆）, オペラ/音楽劇研究所, Scholarly book

  • 『オーケストラと日本人』

    アルテスパブリッシング　2025.02, 井上　登喜子, Scholarly book

  • 『音楽文化の日本近現代史』（刊行予定）

    青弓社2026, 井上　登喜子（共著・分担執筆）, 洋楽文化史研究会（編）, Scholarly book

  • 「聴くこと」の革命：ベートーヴェン時代の耳は「交響曲」をどう聴いたか

    Music as Thought：Listening to the Symphony in the Age of Beethoven, アルテス・パブリッシング, Princeton University Press, 2015.10, 2006, マーク・エヴァン・ボンズ著、近藤譲・井上登喜子訳, Bonds, Mark　Evan , Scholarly book

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Papers 【 display / non-display 】

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Published Article 【 display / non-display 】

  • クラシック音楽百年ー日本のレパートリーの形成とN響の果たした役割（リレー連載　第1回「N響百年　複合的視座」）

    NHK交響楽団　機関誌『Philharmony（フィルハーモニー）』, vol.第98巻（January 2026）(1号（2026年1月号）)(p.29 - 36), 2026.01, 井上登喜子, Original, Single Author, Except for reviews, Article, review, commentary, editorial, etc. (trade magazine, newspaper, online media), https://www.nhkso.or.jp/news/100years-multiple-perspectives.html

  • 〔書評〕ウィリアム・ウェーバー著、松田健訳『音楽テイストの大転換―ハイドンからブラームスまでの演奏会プログラム』

    『音楽学』, vol.64(1)(p.64 - 65), 2018.10, 井上　登喜子, Original, Single Author, Accepted, Book review, literature introduction, etc., https://www.jstage.jst.go.jp/article/ongakugaku/64/1/64_64/_article/-char/ja/

  • 大学教育における「音楽学」の可能性：領域横断的視野を育む教育

    お茶の水音楽論集（徳丸吉彦先生喜寿記念特別号）(p.13 - 14), 2013.12, 井上登喜子, Original, Single Author, Except for reviews, Other

  • 日本人はなぜウィンナ・ワルツが好きなのか

    MOSTLY CLASSIC 1月号(p.54 - 55), 2012.01, 井上登喜子, Original, Single Author, Except for reviews, Other

  • 19世紀ドイツの合唱協会：都市、社会階層と不可分の音楽活動（後半）リレー連載『新・19世紀の社会文化考③』

    NHK交響楽団『フィルハーモニー』 6月号(p.34 - 38), 2007.06, 井上登喜子, Original, Single Author, Except for reviews, Article, review, commentary, editorial, etc. (trade magazine, newspaper, online media)

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Review Papers 【 display / non-display 】

  • 小学校音楽鑑賞用教材集〔解説書〕（ＮＨＫ　ＤＶＤ教材）

    「世界の民族音楽」, ＮＨＫソフトウェア, 2005.01, 井上　登喜子（分担執筆）, Teaching Material, Joint Work

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Presentations 【 display / non-display 】

  • Does Conductor Diversity Increase the Diversity of Repertoire in Orchestral Concerts?

    INOUE, Tokiko , International, Oral presentation (general), 2022.08, , 21st Quinquennial International Musicological Society Congress (IMS2022), Athens, Greece, International Musicological Society, Not Invited, Main Speaker

  • Reception, Transformation, and Localization of Opera Repertoire in East Asia in the Early 20th Century

    INOUE, Tokiko , International, Oral presentation (general), 2021.10, , First Conference of the IMS Study Group, "Global History of Music": Music in the Pacific World: Change and Exchange Through Sound and Memory, Taipei, Taiwan, IMS Study Group, Global History of Music, Not Invited, Main Speaker

  • An empirical study of orchestral repertoires in the "East and West"

    INOUE, Tokiko , International, Oral presentation (general), 2017.03, , International Musicological Society 20th Quinquennial Congress in Tokyo, Tokyo University of the Arts, Ueno Campus, International Musicological Society, Not Invited, Main Speaker

  • European Classical Music in Non-Western Culture: Japanese Cultural Identity Seen in Repertoire Development in the 20th Century

    INOUE, Tokiko , International, 2012.07, , International Musicological Society 2012 Roma, Roma, IMS, Not Invited, Main Speaker

  • 井上登喜子「コロナ期前後のオーケストラ活動とその変化」

    井上登喜子・小塩さとみ・神野千恵・前原恵美・増野亜子, Domestic, Oral presentation (invited, special), 2026.03, , 日本音楽学会第102回定例研究会　シンポジウム「コロナ期の音楽活動を振り返る」, 宮城教育大学, 日本音楽学会, Not Invited, Main Speakerhttps://www.musicology-japan.org/east/schedule.html

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Receipt of outside funds (Education, Research, Contribution to Society and industry-academia[government] collaboration) 【 display / non-display 】

  • Grant-in-Aid for Scientific Research(C)2025, 900,000yen

  • Grant-in-Aid for Scientific Research(C)2024, 0yen

  • Grant-in-Aid for Scientific Research(C)2023

  • Grant-in-Aid for Scientific Research(C)2022, 500,000yen

  • Grant-in-Aid for Scientific Research(C)2021, 600,000yen

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Contributions as an officer, member, etc., of an academic society 【 display / non-display 】

  • 2025.04 - 2027.03，the Chairperson, Academic society, research group, etc., Domestic

  • 2023.04 - 2025.03，Committee Member, Academic society, research group, etc., Domestic

  • 2024.04 - 2024.12，the Vice-Chairperson, Other, Domestic

  • 2022.04 - now，the Chairperson, 1344-672X, Domestic

  • 2020.04 - now，Other, Academic society, research group, etc., Domestic

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Open lectures; lectures, courses, and seminars; guest lectures; etc. 【 display / non-display 】

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Media coverage, appearances, commentary, etc. 【 display / non-display 】

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